The Wall

446000884-police-car-hurrying-policeman-end-of-warFrom the bomb-shattered second floor window, Helga could see the gray sedan slowly creeping nearer, its slitted headlights piercing the rain and darkness as it weaved between the debris of fallen buildings. Trembling with fear, she turned to the old couple with her finger to her lips and motioned toward the icebox in the corner of the room. Glancing back toward the street, she saw the car stop in front of her building. The rear doors opened and two Gestapo agents stood staring at the front door of her building with their hands resting on their holstered weapons. One threw a cigarette onto the street. The other appeared to be checking the address. They nodded to each other, approached the door and rapped loudly. The sound was amplified as it came up the narrow hallway steps to the second floor.

Helga went to the icebox and gave it a firm pull, revealing a small door in the wall behind. The icebox had been empty since she moved in as food was extremely scarce and ice was unavailable. She motioned for them to hurry and the agents rapped louder and yelled something she did not hear well enough to understand.

“Offne die Tür! Zu dem Zeitpunkt. Snell!” Open the door. Now!

“Ich komme gleich runter,” she hollered. I’ll be right down.

After the old couple had passed through the door, she pushed the icebox back and ran down the stairs to open the door.

“Zur Seite gehen, fraulein,” step aside, the first one said, and he pushed her aside and climbed the steps two at a time.

“We will find them, fraulein,” the second said with a smirk. “We know they’re here.” Water dripped off the bill of the agent’s cap and his glasses were slightly fogged, but Helga knew those cold, steel eyes. She had seen them before.

Helga heard the floorboards creak as the agent upstairs slowly moved from room to room looking for the hidden Jewish couple. After a few moments, he walked down the steps and shrugged his shoulders to his partner.

“Nobody,” he said tersely and motioned toward the door as if to leave. As he passed Helga, he glanced at her and raised his eyebrows slightly, then the two agents disappeared into the night. Helga listened as their footsteps faded. She heard the car doors slam and the sedan slowly motored away.

Helga went back up the stairs and pulled the icebox away from the wall, telling the couple it was safe to come out. Then she sat on a kitchen chair, took several deep breaths, and tried to calm her nerves. She picked up a cup that had once held hot tea, but even using two hands, she could not hold it steady enough to drink.

Helga Stigler had lived in Bonn all her life. Both she and her husband Fritz were of Prussian descent and while they both believed in a strong Germany, they took exception to Nazi tactics and the oppression of the Jews. Fritz was a tank commander under General Hienz Guderian and was a leader in the blitz of Poland and France. However, when Guderian’s Panzers were transferred to spearhead the new Eastern Front, Fritz was demoted and in the fall of 1942, he was put in charge of a single tank crew, albeit a new Tiger II, which he affectionately referred to as his “konigstiger”. He had been sure his demotion was because of his soft attitude toward the oppression of the Jews and what was termed as the ‘final solution.’ Helga had not heard from Franz for several months and in her heart of hearts, she knew he was dead, or worse yet, imprisoned by the Russians.

When Franz was transferred, Helga realized she could not and would not stand by and ignore what was happening inside the Jewish ghettos of Bonn.  She learned of a secret organization that helped sneak Jews out of Germany and back to unoccupied territory. Helga soon left her comfortable home and moved into a second floor, three-room flat inside the old walled section of Bonn where many Jews had been forced to live. She planned to use this apartment as a safe house where Jews could secretly stay. Helga contracted with an old Jewish carpenter who built a false wall that enclosed a very small space where several people could hide undetected. She knew that if she or any of Jews she assisted were ever caught, they would face certain torture and/or a firing squad.

Never planning to be taken alive, Helga obtained a bottle of zyankali pills which contained potassium cyanide in a glass ampule. She also gave an ampule to each of the Jews she hid. But none of this was enough for Helga. The allies were fast approaching and by the stream of men, materiel, and wounded heading back toward Berlin, she knew the war would be over very soon.

Near 4:00 in the afternoon, Helga went to her bedroom, changed into a simple skirt and blouse, powdered her nose and left the flat. It would take her exactly thirty minutes to arrive at her destination, and she knew the route well. Once there, she used her own key, unlocked the back door and went upstairs to the bedroom. She looked out the front window at the River Rhein flowing muddy brown, swollen by the heavy rains. Two major bridges lay in the water destroyed by allied bombing. She took off her clothes and, after neatly folding them, laid them on his dresser. She crawled into bed and waited.

After Helga had moved into her flat in the ghetto, she started to frequent several popular bars in the downtown area of Bonn, where soldiers and officers were often seen. She was forty-two years old, trim and still very attractive which meant she never paid for a drink, and her offers were numerous. But she was particular. She wanted something. Something that only a Gestapo officer could offer.

She finally met Hauptsturmfuhrer Metzler, a single, wealthy, Gestapo captain, who thought the war was just another adventure. He was several years younger than Helga, overweight, and always wet from perspiration. He liked to control anyone who would let him, and even though she hated his kind to her core, Helga made sure he thought he controlled her.

After several dates with the captain, Helga knew that he was perfect for what she had in mind. He wanted regular sex and she wanted somebody with the power to look the other way. Twice a week, she would come to his flat and in return, he would use his authority to allow her activities with the Jews to go unnoticed.

“Helga? Are you here?” the captain called as he entered the front door. He went straight to the bedroom to check. “Ah, yes. There you are, Honig,” he said relieved. He came to the bed and kissed her. He drew the covers back and saw she was naked. “Ah, perfect. Its been a long day,” he said sighing. “I’ve been thinking of you for some time.”

Helga watched him undress—and she began to build her wall. The wall that would enable her to isolate herself from him and the things she let him do. She had to separate her mind from her body. She would go through the motions, but her mind would not follow. Rather it would dwell on the goal line while her body pushed forward.

He was a terrible lover and that was a good thing. When he had taken off his clothes, he slowly pulled back the covers again and gazed at her. He was ready almost instantly. He lay on top of her. His forehead was beaded with sweat and his body smelled like dirty laundry. Helga closed her eyes. Her wall protected her and it was all over in a few minutes. He rolled over and she got up and started to dress.

“Stay for a drink?” He asked.

“No. I must go, but could I make you one?”

“Sure. Will I see you Thursday?” He asked. Then, he added, “I am being transferred back to Berlin. Soon, you will be free of us. Won’t that make you happy?”

She stopped in her tracks. “Berlin? Who will take your place?”

“What! You’re not worried about me?” He asked sarcastically. “I could easily capture the two Jews you are hiding, then ship you with them to Dachau.”

She watched him through the mirror as she brushed back her hair. “Yes, you could, but then I wouldn’t be here on Thursday,” she said.

He got up and went into the bathroom. As he passed her, she reached for his bottle of Scotch and poured some into a glass. She looked toward the bathroom as she took one of the ampules from her purse. He was just out of sight…she squeezed the ampule hard, breaking the glass, and the yellowish fluid dripped into the Scotch.

From the bathroom he said again, “See you on Thursday?”

“Yes, captain,” she said, wiping the glass chards off on her skirt. Then she went down the stairs and out the back door.

Walking back to her flat, the impenetrable wall she had constructed started to crumble as she thought about the Scotch. She forced the sense of violation away and by the time she arrived at her apartment, she felt human again. She also felt a sense of triumph. Thinking again about the Scotch, she smiled.

That night, her contact with the escape group visited. He left a Jewess and two young children and took the two elderly Jews away to the next safe house. She wished them good luck and they thanked her. She watched as the contact escorted them across the street and down an alley. The hope that they would survive was all the thanks she needed.

The two children cowered behind their mother as Helga explained where they would hide when the Gestapo arrived.

That night the allied bombing lasted for more than four hours, though none came close to Helga’s flat. She could hear the clatter of tanks moving and men shouting. The smell of diesel invaded her nostrils. Her heart beat fast as she dared to hope.

The next morning at daybreak, small arms fire could be heard. She looked out her window but there was nobody. Several hours later she heard the diesels again, and the distinctive sound of more tanks. Then she saw something she had dared not even dream of: It was the first American tank she had ever seen, and then she knew. She knew it was over.

She grabbed the two children and, with their mother, they walked out into the street, waving and joining others in welcoming the U.S. forces. All the while, Helga hoped against hope she would never have to build another wall.

Posted in Short Stories, Writing Life

The Civil War Monitor Reviews Scarred: A Civil War Novel of Redemption

The following review for SCARRED A Civil War Novel of Redemption appeared in The Civil War Monitor.

3d_scarred-copyScarred is Michael Kenneth Smith’s emotional, fast-paced sequel to his debut Civil War novel Home Again. At the end of his first book, one of the protagonists, Federal sharpshooter Zach Harkin, is sent home following the Battle of Gettysburg suffering from post-traumatic stress disorder (PTSD). With Zach’s Confederate counterpart (Luke Pettigrew) from the first book dead, Scarred follows Zach’s struggle to find redemption for his wartime actions as well as his struggle to share his story fifty years later.

The novel opens with reporter Chris Martin traveling to Knoxville, Tennessee, to interview the famous Zach Harkin—the sharpshooter who killed Albert Sidney Johnston at Shiloh. Writing for The New York World, Chris is eager to publish a career-changing article, especially one that highlights the men who courageously fought in the Civil War (5). Writing from the premise that one of the most effective treatments for PTSD is for the patient to discuss their traumatic experiences, Scarred traces Chris’s attempts to get Zach to talk about his time as a Civil War sharpshooter and where he disappeared to after his medical discharge in 1863. Little did Chris know that Zach’s story was less a story of courage and more one of suffering.

Knowing that the process would be painful, but determined to set the story straight, Zach decides to share his story with the young reporter. Returning to 1863, Zach tells of finding a photograph of his last victim’s family and his struggle to come to grips with his actions as a sharpshooter. Exhibiting symptoms of PTSD, Zach is mustered out and sent home. Back in Tennessee, Zach pledges to find his victim’s family and make amends. But unfortunately for the troubled ex-soldier, Confederate cavalry capture Zach and send him to Richmond as a prisoner of war. But rather than being sent to the hell that was Belle Isle, as were many enlisted men, Zach ends up in the infamous Libby Prison. Things get worse for Zach when he and his fellow prisoners are moved by train to a new prison—the dreaded Andersonville.

In his description of the Richmond prisons and Andersonville, the author demonstrates that he is quite knowledgeable about Civil War prison camps. History buffs and scholars alike will appreciate Smith’s dedication to historical accuracy. Echoing Civil War prisoners’ personal writings, the protagonist tells of how he and his fellow prisoners were tightly packed into railcars without adequate food and water during their transfer from Virginia to Georgia. Suffering from overcrowding, Zach ordered his comrades to gather toward the door when more prisoners were loaded to give the impression that the car was full, thus resulting in less men in the car (32). In their postwar memoirs, ex-prisoners frequently claimed to have used this technique to trick their guards.

Readers will especially enjoy Smith’s inclusion of well-known officers into the narrative, as this heightens the reading experience and helps anchor the story firmly into Civil War history. After escaping Andersonville and making it to Union lines, for example, Zach meets with General William Tecumseh Sherman and gets permission to continue his quest for redemption. After traversing through enemy territory and pretending to be a wounded Confederate soldier, Zach finally makes it Milledgeville, Georgia, to meet the family in the dead Confederate’s photo—Martha Kavandish and her son Tommy. But the war is hell and it eventually comes to Milledgeville. Once again Zach is forced to fight, this time for love.

Although less a battle-filled war novel than its prequel, Scarred illustrates how the violence of war is not just limited to the battlefront (and how it continued to affect those involved long after the guns fell silent). Smith’s almost cinematic novel could easily be the true story of a Civil War prisoner of war. Historians have recently demonstrated that both Union and Confederate veterans, especially ex-prisoners, struggled to reintegrate into civilian society after the war; while not all were as hesitant as Zach, many did not share their stories until the turn of the century. As a result, the story of Zach’s quest for redemption and closure will interest and surely entertain all those fascinated by the Civil War, from professional historians to history buffs.

While Smith has clearly done his research, the book contains some issues that historians may find distracting. The most significant is Zach’s sympathy for Captain Henry Wirz, commandant of Andersonville. Unlike the sources written by Andersonville survivors, Smith’s protagonist does not blame Wirz for the horrific conditions of the camp. Rather, Zach sympathizes with Wirz—a feeling that causes the fictional editor of The New York World to question Chris’s publication, fearing that his subject is trying to rewrite history (91). While historians continue to debate over who was to blame for the deaths of nearly 13,000 men in Andersonville, Smith’s apologetic tone is distracting and incongruous with real prisoners’ writings. But as the work is a historical fiction, the reader can overlook this incongruity and enjoy the book for its other offerings. Overall, Smith provides an intense reading experience that leaves the reader wanting more.

 

Angela Riotto, an historian of the Civil War prisoner of war experience, is finishing her Ph.D. at the University of Akron. 

Posted in Uncategorized

A Civil War Christmas

screen-shot-2016-12-14-at-2-03-37-pmDecember 22, 1864

A thin layer of clouds glowed silver and the nearly full moon provided enough light to see the opposing earthworks to the west. Goma vigorously rubbed the scars on his wrists trying to increase circulation. The light wind was from the west and he could smell the last burning embers from dozens of fires. The cool Virginia soil tried to steal what little body heat he had left.

Goma looked back toward his own lines and hoped the replacement pickets would arrive soon. This was Goma‘s first time on picket duty and he didn’t like being alone.

Almost three hundred yards separated the Union and Confederate main lines just outside of Petersburg and because the distance was quite large, both sides had additional sparely manned buffer picket lines that were inside their regular pickets and only about fifty yards apart. No large scale fighting normally occurred during the winter months and both sides dealt with shortages and boredom. The South, with their supply lines under constant siege, suffered from food shortage much more than the North.

“Hey, Yankee, can you hear me?” Goma turned abruptly toward the Rebel line. “Hey, Yankee,” the voice repeated in a heavy southern draw, “You ‘bout ready to give up and go home?”

Goma hesitated. Then he said, “Neva’ happin, Johnny.”

A brief silence. “You a darkie?”

Just then Goma’s replacement crawled into the trench and Goma crawled back to his lines. When he got to his tent, he thought about the voice. Something was very familiar.

Only a few short months ago, Goma was a groom at a plantation near Jonesboro, Georgia. His father’s father had been brought across the ocean and was sold to a farmer near Savanah where Goma was born. When Goma was twenty, he was sold to John McCord, the master of Stately Oaks Plantation near Jonesboro, Georgia. While John McCord was a kind slave master, his son, Elijah, in trying to impress his father, treated Goma and others harshly. Whenever Elijah found the least little fault with Goma’s work, he would frequently yield a whip or lock Goma away.

In early September, 1864, when Sherman’s Army of the Tennessee drove out all the belligerent Confederates, all the slaves were freed. Not knowing what to do, Goma followed Sherman’s army and was shortly inducted into the United States Colored Troops and became part of XXV Corps of the Army of the Potomac under General Edward Hines. The U.S.C.T. troops were extensively deployed in the Siege of Petersburg.

The next morning, Goma sat around the breakfast fire with several of his new friends, all ex-slaves. He suspected the Rebel voice he had heard in the night might be Elijah, his old nemesis.

They asked him how badly he was treated and Goma showed the scars on his back. The discussion became heated.

“We got ourselves the big equalizer,” one said in a heavy accent picking up his rifle, “only one way to settle this.”

“How would we do it?” Another asked. “We can’t just walk over there and shoot him.”

“We could crawl over the next cloudy night. Shit. Nobody would miss the dirty bastard,” the first one said. “What do you think, Goma? You’re the one he treated so bad.”

Goma was quiet for a moment, then said, “You know? The first few times he beat me, I had this rage inside. It kept me going. I hated that man more than I could hate anything.” He waited a moment as if to choose the right words. “But then, after a while, I just started to feel sorry for him.”

“How could you feel sorry for a man who is beating you? That just sounds impossible, Goma. You gotta be crazy,” the first said.

“Yeah, I know it sounds crazy and maybe it is,” Goma said, “but I feel like if we shoot him, we might be worse than him.”

“You can’t get worse than him, Goma, that man is the worst there is. He’s the bottom of the barrel. He’s the devil himself.”

Slowly, the conversation died down, and the men all started talking about Christmas and how they wished they were away from all the killing, the war. They wanted to get on with their lives even though nobody had any idea what the future would bring after the war.

The next day, Goma was told he would again be on picket duty that night. He had hoped to celebrate Christmas eve with his friends, but he was used to being disappointed, and he accepted it without comment. Most soldiers only thought about three things: Food, shelter and home. Goma had no home except where he slept each night.

The entrenched Union line extended nearly thirteen miles from end to end with well over one hundred thousand soldiers living in ramshackle shelters. Some were tents with the sides built up with dirt to keep the wind out. Others were wooden structures made of logs. Some had stoves inside. The soldiers were given total freedom to build whatever they wished to keep them dry and warm.

Since early morning, wagons loaded with special Christmas food were arriving from the north. Turkeys, chickens, cakes and pies, all ready to eat. Goma and his friends were able to get a whole turkey and a couple pies. After dinner, different groups broke into song, however, as evening approached, Goma reported to the duty officer and prepared to crawl out to the first line of pickets. He carried his Springfield musket, ammunition pouch and a knapsack containing a small apple pie.

At the appointed time, just after dark, he started to crawl to the main picket line. The early night sky was heavy with dark clouds and he could have walked because of the low visibility, but Goma felt safer crawling. The area between the battle siege lines was grassless and he could feel the hard dirt clods through his foraging jacket. By the time he got to the line of picket trenches, the other replacements had already arrived. He was informed he was assigned the outer picket line from around 12:00 midnight to 2:00 am.

The area between the two outer pickets was called ‘no man’s land’, and as the moon peeked through the breaks in the clouds, it looked like the gates of hell. Filled with shell holes, old trench emplacements and scattered battle debris, Goma wound his way to the ditch where he would spend the first hours of Christmas day. After relieving the prior sentry, he settled in, sitting on part of a cannon caisson that had been destroyed earlier. Every few minutes he would peer above the ground toward the enemy lines to verify what he suspected: nothing would happen on Christmas. He started to think about the pie and his mouth watered.

“Hey, Yankee, are you there?” The voice was clear as a bell. The same voice as before. “Its Christmas, are you Northerners going back north where you belong?”

“No chance of that, Johnnie,” Goma said.

“I remember your voice, you’re a god damned darkie, aren’t ya.”

Goma now knew who the man was. He was Elijah. For some reason, he always used the word ‘darkie’. Like it was his invention or something. Made him feel like he had some control over the English language.

“You bet your sweet ass I’m a darkie, and this darkie knows what a cruel slave master you really are. I’ve got the scars to prove it.”

Elijah said nothing for a few moments. “Goma? Goma?—You’re Goma! What the hell are you doing out here. My God—Goma.” Elijah was silent for a few minutes. In a more measured voice he said, “You still belong to me. You are my property, although you were the laziest god damned slave I ever owned.”

“I’m a free man,” Goma said in a firm voice.

“Free, my ass. I can see that I didn’t whip you near enough. I loved seeing my whip rip open your skin. The blood oozing out. Hearing your sorry ass whimpering. Yep, I should have done more of it. Would’ve made a man out of you.”

Goma just smiled. He always knew that when Elijah bragged about something, it was his way of trying to convince himself he was important. “I hear you Johnnies aren’t getting much to eat. That true? I hear you are near starving.”

“We get plenty to eat,” Elijah said, “I get so full, sometimes I have trouble walking.”

“Good to hear, Johnnie, guess that means you don’t want any of my apple pie.”

“You got apple pie?—apple pie?” Elijah said in disbelief.

“Apples covered with brown sugar and pecans. Yep.”

“I don’t believe it. Not for one minute.”

Goma didn’t answer. He waited.

“Apple pie?” Elijah asked again.

Ten minutes later, Goma had made up his mind. He crawled up over the top of his ditch and inched his way toward Elijah’s position. The moon light was obscured by passing clouds. When he got to the hole Elijah was in, Elijah put the barrel end of his musket to Goma’s forehead. “You’re dumber than I ever imagined,” Elijah said, “now you’re gonna die.”

Goma reached into his knapsack and pulled out the pie and handed it to Elijah. Elijah first stared at the pie, then at Goma, his mouth open in wonderment.

“Merry Christmas,” Goma said and he crawled back to his own trench.

 [Photo courtesy of New York State Library]

Posted in Uncategorized

Gift an Audible Audiobook in Six Simple Steps

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What do you get the person who has “everything?” How do you show your appreciation this time of year to the people who make your life easier? How do you survive a road trip to see far-away family with too many people in a too small car? The answer to these questions and more—audiobooks! And gifting them has never been easier . . .

Step One: Visit audible.com and sign-in to your account. (Still don’t have an account? What are you waiting for—your first audiobook is free!) Once you’ve signed in, search for the title you’d like to gift. Click “GIVE AS A GIFT.”

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Step Two: Select your gift card using the dropdown menu.

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Step Three: Select the date on which you’d like your audiobook gift to arrive. Audible will send an email to the recipient on the date you select.

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Step Four: Care to include a special note? Do so in the “Write a note” section. This is when you should also the email address of the recipient in the Send To box and your name in the From box.

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Step Five: Preview your gift message and make sure the email address is correct.

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Step Six: If everything is as you wish, click “Add to Cart” and proceed to checkout. Audible.com will send an email with redemption instructions to your recipient on the date you have selected. Voila—you did it!

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Posted in Holidays, Home Again, Scarred

How to Gift an eBook in Five Easy Steps

It’s December! (What???) Time to get the holiday decorations out of storage and to start thinking about where you put those boxes, ribbons, and bows. Of course, you could skip some of those be-ribboned boxes this year in favor of giving The World’s Easiest Gift. (No—not cash.) Books! Ebooks, specifically. They’re reasonably priced. Easily personalized. Ready when you are. And shipping is always free! Best of all? You can wrap this one up in five easy steps.

Step One:  Search for the book you wish to gift. (Hint below.) Be sure to click on the Kindle format box—otherwise the “Give as a Gift” option will not be available to you.
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Step Two: Once you’ve clicked on the Kindle format box, shift your gaze to the right, and click on the “Give as a Gift” box.
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Step Three: Clicking the “Give as a Gift” box will take you to a new page which looks like the screenshot below, and it is here you will finalize your gifting.
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Step Four: Fill in the email address of the person to whom you wish to gift the ebook there where it says “Email address”. Next, click on the small box beside “Delivery Date” so you can choose the specific date on which you’d like to have your ebook gift delivered. Finalize the personalization of your gift by filling in the recipient’s name, your name, and a gift message.
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Step Five: You’re almost finished . . . simply click “Place your order” on the top or bottom of your current page and—Voila! Amazon will send an email to the recipient of your gift on the day you chose for delivery. The email will contain detailed instructions ensuring your giftee is duly gifted.
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Be sure to come back next week when we review “How to Gift an Audiobook!”

Posted in Holidays, Writing Life

Thanksgiving, His Birdship, and Godey’s Lady’s Book

d8eb44b438134ed088f872f033684d85Louis Antoine Godey began publication of Godey’s Lady’s Book in 1830 in Philadelphia. The magazine was aimed at the ever-expanding audience of American women, and was intended to educate and entertain. Over time, the publication would morph into an important literary magazine featuring authors including Harriet Beecher Stowe, Edgar Allan Poe, and several other well-known 19th century writers. It soon became known as the “Queen of the Monthlies” and played an important role in shaping the culture of America.

Sarah Josepha Hale was the editor of Godey’s Lady Book and a leading voice in establishing Thanksgiving as an annual celebration. Beginning in 1827, she is said to have petitioned 13 presidents to create a formal Thanksgiving holiday. Her final pitch was to President Lincoln, in 1863 in which she positioned the holiday as a way to unite the country in the midst of the Civil War. The rest is, as they say, history. Lincoln signed the proclamation October 3, 1863.

Several years later, the magazine ran a series of 12 articles covering American traditions and lore. Following is excerpted from A Year in the Home: November.

A Year in the Home: November By Augusta Salisbury Prescott

For November, the yule log, the glowing fire upon the hearth, the family gathering-in of those who have long been separated, the home cheer.

November, more than any other month, appeals to families and family ties, because of the Thanksgiving festival. Christmas partakes more of the nature of a religious festival, being a part of our dogma or creed. But it is to Thanksgiving that we must give all the honor and glory of being the day of days, when every one rejoices that we have a land of our own, and a home in which to keep good cheer.

Every one knows that “the” event of Thanksgiving Day is the Thanksgiving dinner. And it is right and reasonable that it should be thus. For a good dinner is the crowning achievement of every home. It strikes a chord to which all hearts are responsive.

But even the Thanksgiving dinner— that ancient and time-honored institution —has undergone a change, and been subjected to a process of evolution which has so changed its nature, that it no more resembles the old-time dinners than a lunch out of a tin pail resembles a Delmonico fête.

The old-time dinner was enormous in quantity and of sickening richness in quality. The viands—some of them smoking hot, and others icy cold—were piled upon the table regardless of proper selection or judicious combination. And, when the board was heaped to overflowing, the guests were invited in to do their uttermost in the way of stowing away the eatables. Each was expected—and did—eat until he could hold no more, and this constituted the most glorious dinner of the year.

Now it is so no longer. To be sure, the Thanksgiving dinner is graced by that national bird, the turkey . But it is not all turkey . His Birdship is brought on after the soup and fish course, and is removed in depleted glory to make room for the à la mode beef that comes next at Thanksgiving feasts of to-day.

To proclaim to the public at large that the turkey course is the most important one, is done by dressing his person in a lovely suit of tissue paper. A broad, green pistache fringe is gathered around his neck, and a lemon, sliced and tied together again with pale green ribbons, is placed where the turkey’ s head would naturally be. The tip of each drumstick is twisted with a green fringe, and yellow and green ruffles are becomingly tied around his body. The edge of the platter on which he lies is garnished with celery tops and sliced lemons and oranges. Under the turkey’ s wings are fastened a couple of olives.

You must have a “millinery party” Thanksgiving night, just before the dancing begins; or, if you intend to bring your festivities to a close early, you can have your millinery party some other cool November evening, when you are seeking ways to pass a frolicsome evening.

The material for your party consists of a number of untrimmed hats—as many as there are gentlemen in the company, the material to trim them with, and separate tables for the different hats.

Each hat is put upon a table with a few feathers, or flowers, and some cheese cloth, or any gay stuff that may be at hand. There is also thread, scissors, needles and pins. The ladies seat themselves at the tables and the gentlemen draw lots. Each man seats himself at the table that has fallen to his share, and goes industriously to work on the hat, which he is told he must trim in twenty minutes. The lady, if she so desires, may aid him with her counsel.

At the end of twenty minutes a whistle is blown, and work is suspended. A committee, previously selected, awards a “King” prize to the man who has been most successful in his attempts at millinery, and a “Booby” prize to the one whose efforts have been nearest to failure. A suitable “King” prize is a velvet or Japanese smoking cap, a “Booby” prize may be a fool’s cap and bells.

All the men now don the hats of their own manufacture, and the evening concludes with a dance.

If you’re interested in reading more about Godey’s Lady’s Book, please have a look at the Accessible Archives, the resource for this piece. 

 

Posted in Holidays

Excerpted from SCARRED: A Civil War Novel of Redemption

3d_scarred-copyIn which we meet Zach, as he sets forth on his journey toward redemption. . . .

Chapter 3

Late Fall 1863

A reddish-orange sun rose above the heavily-treed mountains to Zach’s right as he rode away from Knoxville. His ears ached from the morning cold.

His horse was a big chestnut gelding with hooves the size of dinner plates. Zach thought he looked like an old warhorse, and he suited his needs perfectly. Zach had bought the horse from a Knoxville livery, and the choices had been few, as both sides of the war had either purchased or confiscated almost all the horses in the area.

He had packed his saddlebags with dried beef, coffee, hardtack, and a few cans of beans. Across the back of his saddle, he tied a blanket, hatchet, and poncho, all wrapped up in a waxed ground cloth. He was prepared to travel a long time.

Zach had left home in the middle of the night so he wouldn’t have to explain himself to his parents. They would have tried to talk him out of whatever he intended to do. Of course, at the time, he didn’t have a plan, but he was haunted by remorse, and the only thing he could think of was to try to find a way to make amends to the family of the sharpshooter. He had no idea what he would do if and when he found the lady in the picture, but he felt better just trying to do something about it.

Zach planned to ride through the night and the next day to get over the Cumberland Gap before nightfall came again. Because of his aversion to any kind of firearm, he was unarmed. His discharge papers, signed by Colonel Berdan, lay folded at the bottom of one of his saddlebags.

Also, packed in his saddlebag was the dead man’s forage cap. He thought it might help prove to the family that he wasn’t an imposter trying to take advantage of a widow. Also, the inscription inside the cap, “McGowan’s Brigade” was the only clue he had as to the man’s identity.

By late afternoon, Zach had traversed the gap, and the mountains receded into foothills. He had gotten used to the clump-clump of his big horse’s hooves as he picked his way along the narrow passage. The sky had been clear all day, but as the sun set, thick ominous clouds portended the approach of a storm.

Zach made camp near a small creek under a big elm tree. He tethered his horse on a long rope and gathered firewood. As he prepared a place to sleep, he remembered camping with his father and the good times they had. So much had changed.

Zach rested his saddle up against the tree and lay down on his waxed ground cloth with his head on the saddle and his feet near the fire. The saddle smelled of leather, human sweat, and the distinctive musty pong of horse. He wondered what his parents thought when they found out he had left and regretted the worry they must be feeling. He cursed to himself. He could have at least left a note. He chewed on some hardtack and washed it down with water from his canteen. His eyelids became heavy, and he slept.

A loud crack of thunder and the simultaneous urgent whinny of his horse awoke him from a deep sleep. A sudden gust of wind blew hot embers from his campfire into some surrounding brush which instantly caught fire. Zach ran over and secured his horse further away, upwind, and when he returned, the fire was spreading fast through the brush. He beat the flames with his blanket, but they were over six feet high by then and his efforts had little effect. Thick smoke with the smell of burning underbrush burned Zach’s nose and throat and stung his eyes, forcing him to stand away. Bolts of lightning pierced the sky, accompanied by earsplitting thunder. The fire raged toward the creek, with the wind acting like a bellows, sending plumes of smoke across the countryside.

Then the rain came. First, large drops, almost horizontal on the wind, stung his face. As the drops hit the fire, they made a hissing sound, then a popping like bacon frying in a skillet. The rain increased, stifling the flames and sending up even more smoke. Lightning lit the sky and Zach could see the clouds of smoke moving up the mountainside.

The wind died down, and the rain became a deluge, dousing the fire and turning the ground to mud.

Zach huddled under the elm with his ground cloth over his head. The temperature dropped and he shivered. The raindrops turned to a fine mist then stopped completely as the storm moved on and the air became still. He wrapped himself with his blanket, then with his ground cloth, and lay down. The only thing Zach could hear were heavy drops of water falling off the trees onto soaked leaves. The smell of wet earth and ashes hung in the air. Zach slept.

The early morning light wove its way through the trees as Zach awoke cold, damp and hungry. He rolled out of his blanket and stood up. His ached from the hard ground and dampness. He decided he needed to start a fire to dry everything out before he traveled on. With his hatchet, he removed the wet bark from several dead tree limbs he had gathered, exposing the dry centers. He cut the limbs into small pieces and propped them like a tepee near where his previous fire had been. Then he carefully cut shavings and formed a thick ball. Striking two pieces of flint together, he made sparks, and after many tries, one of the sparks ignited the shavings. Holding the shavings in his hand, he gently blew on the tiny flame and placed it under the tepee firewood. He continued to blow, and the flame grew and ignited the larger limbs. Smoke rose as the little fire gained strength. Zach squatted beside the fire with his hands spread out to warm them. He always felt a sense of satisfaction when he made a fire, but this one had been tougher than usual.

The sound of Zach’s horse chewing on grass suddenly stopped. His head turned to the south with his ears pointing alertly at something he heard in the distance. Then Zach heard it, also—the sound of approaching horses, and rattling sabers.

He grabbed his saddle and ran toward his horse, but it was too late to escape. Six men rode into his camp and surrounded him. Their horses pranced and stomped, gnashing their bits as the riders pulled on the reins. They were lathered, breathing hard, their breath forming puffs of vapor, which rose in the thick morning air. The riders uniforms were gray.

The lead horseman, a sergeant, judging by the three stripes on his shoulder, said with a deep drawl, “A young feller like you roaming these here parts can only be a Yankee sympathizer or a Goddamn deserter.” He leaned forward with both hands on his saddle horn, and said with a sneer, “Which are you, mister?” The man’s red hair looked like a bird’s nest with a forage cap on top. His red beard was stained and unkempt. His teeth were stained almost green, and the side of his cheek bulged with tobacco.

The rider next to the one with stripes said, “Makes no difference if he’s a deserter or a sympathizer. We’ll hang him either way. Right, Sarge?” He reached back and untied a rope from his saddle and made a loop, grinning. He was hatless, his stringy dark hair hung down to his shoulders. He had a scar on his right cheek that extended past a hole where his right ear once was.

Zach silently cursed himself for not having prepared an answer to such a question. He decided to tell the truth. “I was on the Union side for a while, but I was discharged,” he said.

“Likely story. Do you expect us to believe that?” Another said.

“Show us your discharge papers,” the sergeant said. “Bet you don’t have ‘em, do ya?”

Zach thought about it briefly, then said, “They’re in my saddlebag.” He leaned over to open the bag, and as he did, a third soldier pushed him hard, knocking him to the ground.

“We’ll do the looking, you deserting son-of-a-bitch,” the man with one ear said, dismounting. He grabbed the bags and turned them upside down. Everything came tumbling out: beans, hardtack, coffee. Seeing no discharge papers, the man said, “Just as we thought. No damn papers in here. Time to string him up. Let’s do it. ”

“Hold on a minute, Harris,” the sergeant said, dismounting. He looked through the saddlebags, pulled out some papers that had been wedged in the bottom, and opened them up. He studied them, his finger pointing to each word. He went over the text again, his forehead wrinkled. Finally, he said to the others, “Well it’s a discharge sure enough. It’s signed by Colonel Hiram Berdan of the U.S. Sharpshooters.”

When the others heard “Sharpshooters,” they all stiffened as if they had seen a rattlesnake hiding in rocks. For a moment, they were quiet, until finally the sergeant said, “You’re one of those bastards?”

“Let’s hang the son-of a-bitch. This tree right here should do. C’mon, Sarge. This guy isn’t even worth taking prisoner,” Harris said, in an anxious tone. “Let’s do it now and get going. We got ground to cover.”

Zach realized things were getting out of hand. “You’re making a mistake,” Zach said. “I no longer want to fight. I’m just riding…” He lay there, looking up at his assailants.

“Shut up you lowdown scoundrel,” Harris said. “Here, try this on.” He slipped the loop over Zach’s head. He pulled it taut and threw the other end over a low limb of the elm. “This should do it. Somebody get his horse.”

The sergeant stroked his short beard, deep in thought. “Wait a minute, boys. This man has only recently been discharged. He might have some information we can use. We don’t get many sharpshooter prisoners. Maybe we should take him in and see what the captain wants to do.”

The others looked disappointed. As though somebody had just denied them a shot of whiskey .

“Yep, that’s what we’re gonna do. We’ll take him in, and if the captain has no use for him, we’ll string him up then—hang him high. We can wait a couple hours. We need to be sure. He looked at Zach, “Get your sorry ass up. And by the way, you ain’t got but a few hours left to live.” He spat a stream of dark brown fluid, which landed near Zach’s feet.

Posted in Excerpts, Scarred

One Kool Day

j10xl1rgpctwvyMy school was three miles away. Just walk to Cheshire Road, turn left and keep going. I’d take the short cut, which supposedly lessened the distance by a full mile. I would climb the fence in our back yard—the fence that kept our two mares from being bred by the neighbor’s stallion. Then, once over the fence, I could walk diagonally toward Pritchard’s place, over two more fences, a small creek, and…wha-la, the school play ground.

The problem? I was almost always late. My “short cut” wasn’t so short. Nearly every time, something would happen that made the walk longer. The trip was always pockmarked with detours. A toad jumping across my path. A rabbit scurrying to a shelter in a briar patch. A dung beetle pushing his winter’s dinners down the horse path. A night crawler glistening in the morning dew. Any little thing would help make the journey, oh-so-much longer.

I hated school. Even though every morning I would walk out the back door with strong intentions to arrive on time, my will would blow in the wind like a a thistle seed in a strong gust. It was a constant battle between the fear of being caught and the wonderment of nature.

One brisk, Fall Monday morning, late as usual, I took the “short” route. I crossed our backyard fence and kept my head down as I followed the path. I didn’t want to be distracted because I’d been warned that if I were late to classes one more time, my grade card would show a giant ‘U’ for unsatisfactory. I figured that by keeping my head down, I wouldn’t be so easily distracted. About mid-way between our place and the Pritchard’s I saw a brand new Coke can in the middle of my path. Somebody had discarded it over the weekend. Not to be distracted from my mission, I just kicked the can and continued. The can landed about fifty feet in from of me right on my path. I kicked it again. It flew up in the air and landed about fifty feet in front of me. I kicked it again and this time it skittered off into some tall grass.

I stopped and looked off in the direction of my school. The air was full of wonderful scents. I could smell the dew on the grass, the dung of the horses and the dust from the path. I could hear the burble of the nearby stream, the caws of a crow and the far-away honking of geese starting their day heading south. I could visualize a hungry trout near every rock in the stream, a rabbit behind every clump of grass and a groundhog in every little hole in the earth.

The school bell rang thrice. Ten minutes.

I kicked the can again. It sailed in an arc and landed in the creek and started to bob its way downstream. An idea popped into my head: I would put a message in the can and eventually someone would find it and read it! I found an area where the bank was worn down by horses seeking water, slid down, and retrieved the can. The can contained no water but when I shook it, something rattled inside. A half smoked cigarette. A Kool. I stared at it in wonderment and the smell of the tobacco and menthol permeated my senses. I put the filtered end to my lips and stood up thinking how cool my Kool looked.

Right then, I saw Eddie Miles, the school tattle-tail staring back at me. He ran toward the school house and I reluctantly followed.

Shortly after homeroom, I was called into the principal’s office. She gave me a stern warning about smoking, told me all the horrible things about tobacco, and said that it would stunt my growth. When I told her about the Coke can, she looked at me like I was a consummate liar. I’m sure I must have looked guilty.

Then she told me to go home and change my pants. It wasn’t until that moment I noticed I had sat in a horse pile while sliding down the bank. As I walked down the hall toward the front door, all the kids gave me a wide berth. I could hear, He smokes and He stinks. My life had reached a new low.

A funny thing happened, though: over the next few weeks everybody forgot about the smell and just remembered the smoking. I was the one who smoked! I was the revered rebel who bucked the system. The older boys sought me out. The girls, while they wouldn’t admit it, thought I was some kind of anti-hero with a mysterious aura. I was never alone. In the school cafeteria, all the seats around me would be quickly occupied.

Of course, I played along. . . enjoying all the attention. I rolled up my white T-shirt sleeves—even though my arms were bony. I persuaded my parents to buy me Levi’s instead of Foremost jeans. I sat in the back row of all my classes.

Later that Fall, I was elected class president. I was actually beginning to believe I was the guy who’s part I’d been playing. People respected me and sought out my opinion and advice. My grades improved—I even made the honor roll.

I will always remember that Coke can and the Kool.

 

Posted in Short Stories, Writing Life

The Writer’s Dig with Novel Writing Advice: How to Write Battle Scenes

wdvert_colorA battle scene in a novel can be a very powerful and important element that, if done correctly, will define your protagonist—which is why we all need novel writing advice on how to adequately accomplish write one. Your protagonist might distinguish himself/herself in such a way that the reader gains intimate knowledge into his/her psyche while carrying the story forward. The author can use the natural tension of battle and a soldier’s fear to demonstrate the protagonist’s true character whether he/she be a hero, antihero, or just learning an important lesson. An example of this revelation of character is in my first book, Home Again.Luke, the young teenage protagonist, goes off to war. At the Battle of Shiloh, we learn he has a strong compassion for the wounded, his compassion is manifested by the way he cares for victims. For the rest of the novel, the reader knows how he will react in similar situations. In a way, his actions in battle defined him and foreshadow the themes of my second novel, Scarred.

Here is some novel writing advice about writing battle scenes:

First, the scene needs to be simple with the conflict understandable and easy for the reader to picture. Complicated scenes with various elements of the battle moving here and there can be confusing and difficult to understand. Remember, you are painting a picture with words, so make the painting as simple as possible while you develop your story.

A good method for keeping track of the scene as you write it is to draw a map showing the various sides of the battle before, during, and at the end of your scene. Your map can have more information in it than you might need, because you can choose how much detail you actually need later. Your map should show prominent landmarks that you might use in your descriptions. Above all, make sure you understand exactly the movements of the sides of the battle so you can feel comfortable creating the scene. If your battle has a historical relevance, you can always find historical references, guides and even maps by using your favorite search engine.

Now you can insert your characters into the scene of battle. As your protagonist participates in the action you know where he/she is at all times from your map. You simply write what he does or does not do. Now add to what he does, what he sees. You get that from the same map. Then add what he hears and feels and your reader will think he/she is right there in the action. That’s powerful. Properly done, the scene could be the best in your book.

After you have it all written down, go back over the scene and ask yourself a couple of questions: Does it make sense? Does it move your story forward? Will the reader gain insights into your protagonist’s character which you need in his/her development? You will probably have to rewrite it several times, but you can always refer to your map for consistency.

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This guest post, written by Michael Kenneth Smith,  first appeared in The Writer’s Digest column: The Writer’s Dig edited by Brian A. Klems who is also online editor of Writer’s Digest and author of the popular gift book Oh Boy, You’re Having a Girl: A Dad’s Survival Guide to Raising Daughters.

 

Posted in Guest Appearances, Scarred, Writing Life

The Quivering Pen: My First Time with Michael Kenneth Smith

typewriter-5-1My First Time is a regular feature in which writers talk about virgin experiences in their writing and publishing careers, ranging from their first rejection to the moment of holding their first published book in their hands. Today’s guest is Michael Kenneth Smith, author of Scarred: A Civil War Novel of Redemption. Michael trained as a mechanical engineer and began a successful auto parts business in the early 1980s. He sold his business in 2000 and retired. Since then, he’s spent time fishing, golfing, cooking, and playing bridge. His previous novel, also set during the Civil War, was Home Again.

My First Writing Seminar

For some unknown reason, I was accepted by Kenyon College to a Novel Seminar with eight other students who also had a basic manuscript of a new novel. The class started on Sunday afternoon and all nine of us met each other and we introduced ourselves. My math is not very good but I estimated that I was twice as old as the second oldest in the class. Everybody was an English major or a journalist of some sort and most had written previous novels. When I introduced as an engineer and had written nothing previously other than a few letters home when I was in the service, everybody smiled with a “where did this guy come from” look.

I felt like going home.

At the end of the day, the instructor announced that on the last day of class, each of us would read a selection of their manuscript to an audience that would include faculty, students and friends.

I felt like going home.

The next morning each instructor spent an hour with each student to discuss his/her novel and what they wanted to work on that week. In both hour-long sessions, my manuscript got torn up and spit out. I listened carefully for positive reinforcement but I didn’t hear one good word.

I really felt like going home.

I stuck it out and to my surprise, I liked it. We talked about each manuscript and had free and open discussions about how each could be improved. The other students were kinder in discussing my novel than the instructors and I started to feel a bit better. Of course, maybe they were just being nice to the old guy sitting in the corner.

In the final analysis, those instructors were really very good. They tore me down, then spent the rest of the week trying to build me back up. As the end of the week approached, everybody was talking about the reading on the last night. One young lady even asked if I would listen to her presentation. It was marvelous. Not only was her story clever and catchy, her delivery was out of sight.

I thought about leaving early.

Well, the big night came and we were given an order in which we would read our work. I was last. I just sat there wondering who in the audience was a professor or dean. After each presentation, everybody clapped and kudos were passed around. I have to admit they were all really good with solid presentations.

I felt like crawling under the table.

Then it came to me. I thought, what the hell, and I stood to read my selection, one of most dramatic scenes in the book. As I read, I felt the audience tighten up. Maybe they were sitting on the edge of their chairs. Or maybe they were about to get up and leave. I read it with as much feeling as possible hoping my voice didn’t quiver too much. At the end, I sat down and for a brief moment nothing happened—nobody said anything—not one clap!

Then one of the instructors said, “Bravo” and the clapping began and grew loud and long with everybody standing up.

I love writing.

This piece originally appeared on David Abrams’ The Quivering Pen.

Posted in Beginnings, Guest Appearances, Scarred, Writing Life