July 8, 2017: #SaturdayScene

New York Times bestselling author Erik Larson (Dead Wake) called it “A rip-roaring saga of hair-breadth escape,last-home-island-book espionage, and resistance.” Being Nixon‘s Evan Thomas notes “Lynne Olson is a master storyteller.” I could not agree more with either of these gentlemen, and I am delighted to share with you, dear readers, this week’s #SaturdayScene from bestselling author Lynne Olson.

Excerpted from her latest work,  Last Hope Island—an epic, character-driven narrative of Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War—this week’s #SaturdayScene opens on the eve of Germany’s invasion of Denmark and Norway, April 1940.

“On April 8, 1940,  just after midnight, officials in the Norwegian government were awakened by urgent phone calls informing them that several ships of unknown origin had entered the fjord leading to Oslo. A sea fog blanketing the fjord made it impossible to identify the ghostly armada’s markings. Within minutes, however, the mystery of their nationality was solved when reports of surprise German attacks on every major port in Norway and Denmark began flooding Norwegian government offices.

            Aboard the German heavy cruiser Blücher, Gen. Erwin Engelbrecht, who commanded the attack force heading for Oslo, reviewed his orders with his subordinates. In just a few hours, more than a thousand troops, equipped with minutely detailed maps and photographs of the Norwegian capital, were to disembark from the Blücher in Oslo’s harbor. Their assignment was to slip into the sleeping city and storm government buildings, the state radio station, and the royal palace. Before noon, King Haakon, Crown Prince Olav, and the rest of the royal family would be under arrest and the Norwegian government under German control. A band, also on board the Blücher, would play “Deutschland Uber Alles” in the city’s center to celebrate Germany’s triumph, while German military officials took over administration of the country and its two most important material assets — its merchant marine and its gold.

            When a Norwegian patrol boat spotted the flotilla and had the temerity to issue a challenge, the boat was machine-gunned and sunk. Further up the fjord, two small island forts, alerted by the patrol boat, also fired on the ships, but the heavy fog made accurate sighting impossible and the vessels swept on untouched. Shortly before 4 a.m., the convoy approached Oscarborg Fortress, an island stronghold built in the mid-nineteenth century and Oslo’s last major line of defense. The Blücher’s captain was as unperturbed by the sight of the fortress as he had been by the pesky patrol boat. On his charts and maps, Oscarborg was identified as a museum and its two antiquated cannons described as obsolete.

            The maps and charts were wrong on both counts. The fortress was operational, and so were the old cannons, fondly called “Moses” and “Aaron” by their crews. The fog lifted a bit, and as the darkened silhouettes of the ships came into view, a searchlight on the mainland suddenly illuminated the Blücher.  Moses and Aaron erupted at point-blank range, their shells crashing into the 12,000-ton heavy cruiser. One shell smashed into the Blucher’s bridge, destroying its gunnery and navigational controls, while another slammed into a storeroom filled with aviation fuel.  Shore batteries also began firing. Within seconds, the Blücher was ablaze, the flames leaping high in the air, burning off the fog and lighting up the snow-covered banks of the fjord.

            With a great roar, the ship’s torpedo magazine exploded, and less than an hour later, the Blücher, commissioned only seven months before, rolled over on its side and sank. Nearly one thousand men went down with her, including most of the elite troops assigned to capture the royal family and government officials. Gen. Engelbrecht was one of the several hundred survivors who escaped the burning oil covering the fjord’s surface and swam frantically to shore.

            Throughout that day –April 9, 1940 — Hitler’s audacious, meticulously planned invasion of Denmark and Norway had gone almost exactly as planned. By early afternoon, virtually all the Fuhrer’s major objectives  along 1,500 miles of Norwegian coastline had been taken. All, that is, except Oslo, the political, economic, and communications center of Norway and the key to the operation’s eventual success.”

Order your copy from  Amazon  |  Apple  |  B&N  |  Kobo  or from your favorite Indie bookseller.

About the Author: Lynne Olson is a New York Times bestselling author of seven books of history, most of which deal in some way with World War II and Britain’s crucial role in that conflict. Born in Hawaii, Olson graduated magna cum laude from the University of Arizona. Before becoming a full-time author, she worked as a journalist for ten years, first with the Associated Press as a national feature writer in New York, a foreign correspondent in AP’s Moscow bureau, and a political reporter in Washington. She left the AP to join the Washington bureau of the Baltimore Sun, where she covered national politics and eventually the White House. Olson lives in Washington, DC with her husband, Stanley Cloud, with whom she co-authored two books.

Visit Lynne Olson’s website to learn more.

Posted in #SaturdayScene, Excerpts, Guest Appearances

June 24, 2017: #SaturdayScene

This week’s #SaturdayScene showcases author Mary Carlomagno’s debut novel, BEST FRIEND FOR HIRE. Jersey Girl Jessie DeSalvo has her dream job at one of New York’s top publishing companies. After ten years of hard work the day of her big promotion has arrived. Unfortunately, her company has other ideas. Instead of a corner office, Jessie is handed her pink slip.

BFFH Cover_v4.2 7.38.40 AMMy new hot pink crocodile iPad case was lined up with its office accessory family. The iPad itself was just one of the many things I was going to buy to celebrate my promotion to Publicity Director. Being Assistant Director was a big job at my company, despite the fact that there had never been a director for me to report to. It had only taken me T-E-N Y-E-A-R-S to make it from Assistant to Assistant Director. When “STS” came up on my phone screen, my heart leapt in excitement. I got it, I thought. Maybe there was even a little surprise breakfast being planned. I dreamed of that office deliveryman bringing trays of treats to successful executives. Really successful people never sneak a bagel with a schmear at their desk, but are served mini-muffins on faux silver trays and drink their coffee out of real china cups and saucers. Finally, I thought, this would be me.

To read more:  Amazon  |  Barnes & Noble  |  Indiebound

About the author: Mary Carlomagno spent years in book publishing before taking on the world of self help as a professional organizer where she quickly became a media expert.  She has published three books on the topic, appeared on the Oprah Winfrey Program and the Today Show.  She continues to write freelance, speak to corporations and represent blue chip companies through her consulting company called order.  

Find Mary here and here.

Posted in #SaturdayScene, Excerpts, Guest Appearances

Scarred Receives the National Indie Excellence Award for Military Fiction

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SCARRED: A Civil War Novel of Redemption was recently announced as an NIEA Award winner in the Military Fiction category! This award, open to all English language printed books available for sale, including small presses, mid-size independent publishers, university presses, and self-published authors, is given annually.

Posted in Awards, Scarred, Writing Life

eLit Book Awards: Scarred takes Silver in Historical Fiction

eLit_silver_outline_final copyI am delighted to share that SCARRED: A Civil War Novel of Redemption has been awarded a Silver medal for Historical Fiction in the eighth annual eLit Awards—”a global awards program committed to illuminating and honoring the very best of English language digital publishing.”

I’m honored to be among these outstanding writers!

 

Posted in Scarred, Writing Life

Reviewers Choice Award: Honorable Mention for Scarred

RV-Awards-2016SmithMichaelKenneth copy

 

Posted in Scarred, Writing Life

Shifting Gears: Writing from a Woman’s Point of View

a82ad1c76a7345eb3f4fe9f8c604b253I’m a guy. I write mostly about men. Men at war. Shooting guns. Riding horses. Doing brave deeds. Becoming heroes. From the male perspective, of course.

So, how does an author shift gears and write from a female perspective—and what would prompt him to do so? For me, the answer to this question can be found by exploring a scene from each perspective.

Here is a scene from my first book, HOME AGAIN, at the Battle of Shiloh:

Off to the right of their line and behind the Rebel line several hundred yards away was a slight rise, and a line of Confederate cannon was being brought up. As the horses pulled the cannons up, they were unhitched, and the cannoneers pushed them into a line aimed directly at the bow in the Northern line about where Zach was with his new company. The first fusillade of shot came from the big guns nearly simultaneously. All the shots appeared too high.

The sergeant, whose total energy was now focused on the battle at hand, said to Zach, “Take that contraption in your hand and see if you can discourage those Rebel cannon. They are about to blow us to smithereens.”

Zach looked around for something to prop his rifle up against as he always did. No rocks or trees were nearby. Dickson, who had heard the sergeant, knew what Zach was looking for. Not seeing anything he sat on the ground facing the target and said to Zach, “Try this.” Zach squatted behind him, placed the rifle on Dickson’s steady shoulder and sighted through the scope at the first cannoneer to the right of the line. The ground was soaking wet and he could feel water penetrate his still-damp clothing. The wind was negligible, and the range could not have been over three hundred and fifty yards. He would be shooting up, and experience always told him to aim a bit low when shooting up. John was breathing and with each breath, the crosshairs would move up and down.

“John, take a deep breath, let it half out and just hold it.”

Dickson did, and while it wasn’t perfect, Zach aimed at the first cannoneer’s chest, rubbing his finger on the stock…deep breath…exhale…half breath…squeeze…

“Another breath, John.”

Zach squeezed off another shot.

“Again.”

Another shot.

Three more times and all six cannons were silent. In less than sixty seconds, the entire battery had been decommissioned. The other soldiers on both sides were too involved to see or realize what had just happened, but the one who counted, the sergeant, did.

In this scene the character, Zach, finds himself in the middle of an offensive line of soldiers at Shiloh during the early stages of the Civil War. He is empowered by his ability to effectively use a rifle at long range. His mission is to eliminate a threat, as perceived by his sergeant.

In contrast, here is a scene from my short story, THE WALL, just before the Allies swarmed through Bonn on their way to Berlin in WWII:

“Helga? Are you here?” the captain called as he entered the front door. He went straight to the bedroom to check. “Ah, yes. There you are, Honig,” he said relieved. He came to the bed and kissed her. He drew the covers back and saw she was naked. “Ah, perfect. It’s been a long day,” he said sighing. “I’ve been thinking of you for some time.”

Helga watched him undress and she immediately started to build her wall. The wall that would enable her to isolate herself from him and the things she let him do. It was like separating her mind from her body. Her body would go through all the motions, but her mind would not follow. Rather it would dwell on the goal line while her body tried to get there.

She also knew he was a terrible lover and that was a good thing. When he had taken all his clothes off, he slowly pulled back the covers again a gazed at her. He was ready almost instantly. He lay on top of her. His forehead was beaded with sweat and his body smelled like dirty laundry. Helga closed her eyes. Her wall protected her and it was all over in a few minutes. He rolled over and she got up and started to dress.

“Stay for a drink?” He asked.

“No. I must go, but could I make you one?”

“Sure. Will I see you Thursday?” He asked. Then, he added, “I am being transferred back to Berlin. Soon, you will be free of us. Won’t that make you happy?”

She stopped in her tracks. “Berlin? Who will take your place?”

“What! You’re not worried about me?” He asked sarcastically. “I could easily capture the two Jews you are hiding, then ship you with them to Dachau.”

She watched him through the mirror as she brushed back her hair. “Yes, you could, but then I wouldn’t be here on Thursday,” she said.

He got up and went into the bathroom. As he passed her, she reached for his bottle of Scotch and poured some into a glass. She looked toward the bathroom as she took one of the ampules from her purse. He was just out of sight and she squeezed the ampule hard, breaking the glass and the yellowish fluid dripped into the Scotch.

From the bathroom he said again, “See you on Thursday?”

“Yes, captain,” she said, wiping the glass chards off on her skirt. Then she went down the stairs and out the back door.

As she walked back to her flat, the impenetrable wall that she had constructed started to crumble as she thought about the Scotch. She forced the sense of violation away and by the time she arrived back to her flat, she felt human again. She also felt a sense of triumph. Thinking again about the Scotch, she smiled.

This scene takes place in Germany during WWII just before the Allies come through. Despite the distance of time between these two scenes, there is a common thread: Though empowered in very different ways, both Helga and Zach want to destroy the enemy. Helga is empowered by her own moral compass and uses the age-old weapon of her female sexuality to help save Jews from being exterminated. Zach, on the other hand, is instructed to kill by his commanding officer and he willingly does it in fine fashion. Helga is motivated by her own sense of right and wrong, which makes her far more compelling to me. She is driven primarily by internal forces—and Zach is more driven by external forces. Helga’s is a crime of expression. Zach’s is a crime of aggression.

This shift of gears from the male to female perspective involves knowing your characters, crawling inside their heads, and being open to seeing things in a new, sometimes counterintuitive, way. While it is much easier (for me) to crawl into a man’s perspective, the opposite takes a little more thought and a better understanding of exactly who the character is. The character is, after all, the author’s creation and by first defining his/her goals, aspirations and dreams, the author can more easily predict and write about how each character will act and react to various stimuli.

My hope is that in shifting gears and incorporating new perspectives, I will become a more effective author with an understanding and approach that will extend to my future characters male or female.

Posted in Writing Life

Women of the Civil War: Martha Kavandish

{Excerpted from SCARRED A Civil War Novel of Redemption wherein our protagonist, Zach, comes face-to-face with the wife and child of the man he shot.}


Near Milledgeville, Georgia, 1864

The farmhouse was nestled in a copse of cottonwoods midway between the road and the river. The river shimmered in the sunlight, flowing south. A light breeze rattled the leaves and smoke rose from the chimney into the cool, September morning air. The space between the two dusty wheel tracks that led to the barn had grown over with weeds. The barn was sturdy, but the paint was faded. Zach saw a semicircle scraped in the dirt in front of the barn and deduced the door hinge was loose. Standing just outside the large barn doors, he saw a black man driving out the cotter pin of a broken wagon wheel. His face and arms glistening with sweat. The wheel was nearly as big as he was. Some of the shingles on an adjacent shed were loose, breaking the neat, parallel lines of the roof. A garden next to the shed contained tomatoes, beans, and squash, all plump and ready for the table.

Two monarch butterflies hovered over bee balm flowers in a pot hanging from the front porch eave as Zach approached the house. Zach’s chest heaved with anticipation as he stepped up on the small porch.

A young woman opened the wooden door wide, but remained standing inside the screen door, her brown eyes quickly appraising the stranger in front of her. Her long brunette hair was swept back off her face with two silver barrettes just behind her ears. She wore a gingham dress, full on the bottom, covered by an apron tied at the waist. The bodice of her dress swept just low enough to hint at a lovely figure. Her rounded brows yielded to a high forehead, two tiny curls tickling her cheekbones, leading to her perfectly-rounded jaw and chin, and framing her pert nose. Her face was flushed from working in the kitchen. When she saw Zach, her hands went to her hair as if searching for something out of place.

After a slight pause, she said, “Yes?” Her voice was soft but firm. Her accent heavy.

“I was at Chancellorsville,” Zach said.

“Oh. Oh, my. Why, please come in,” she said, pushing the screen door open and inviting Zach into her parlor, where she motioned him to sit. As he sat, he looked self-consciously at his shoes, covered in red dust, and his britches, which hadn’t been washed in weeks. She sat on a small bench nearby facing him, and put her hands together and rested them on her knees. She waited for him to speak, knowing it was about her dead husband, Jack.

Zach ran his fingers over the upholstery tacks in the chair’s arms, searching for the right words. The small parlor looked infrequently used. A full sized grandfather clock ticked in the corner. The broad-planked floor was covered with rag rugs. On one end of the room was a roll-top desk. A framed picture of Jack in full uniform sat atop it. Jack with his rifle, a beautiful, scoped Whitworth. Zach had never seen him before he shot him, and the image of the man’s living face startled him.

Zack took the logbook from his pocket and handed it to her without saying a word. She opened it slowly. Her picture fell to the floor, and as she read the first few entries, tears welled and flowed down her cheeks. She flipped to the last entry, which read: March 3: …Two more days and I’m on two week leave. Seems like an eternity since I’ve seen her… She closed the book, put her hands over her face, and wept.

“Mommy? W-w-what’s wrong?” A little boy ran into the room and to his mother’s side. She put her arm around him, held him tight, and continued to sob. The boy looked over at Zach as if angry he had caused his mother to cry.

Composing herself, Martha said, “Tommy, this man knew your father. He brought us his diary. Introduce yourself.”

The little boy strode directly over to Zach, stuck out his hand, and said, “I-I-I’m Tom Kavandish. Were you in the w-w-war with my d-d-dad?”

Zach shook his hand and told him his name then reached over and mussed up his black hair. “You must be the man of the house,” he said. The boy went back to his mother, put his arm around her, looked back at Zach, and nodded.

“I don’t recall Jack ever mentioning your name, Mister Harkin. Were you in his unit?” she asked.

“Not exactly, ma’am, but I was the first to see him after he was… I cannot tell you how sorry I am.” Having no idea what to say or do next, Zach stood and said, “I’d best be going, ma’am.”

“Please, call me Martha,” she said. “How on earth did you find us?”

“Wasn’t easy,” he said, and he told her about the crowded trains out of Atlanta and his visit with Susan McGowan and how she had given him directions to the farm. He told her the news about Hood vacating the city, and the expectation that Sherman would burn the entire area. She watched him closely, absorbing every word. He found himself repeating some of the things he had already told her, but in more detail.

Zach had sat back down when the hissing sound of a pot boiling over came from the kitchen. “Oh, my. The stew!” Martha ran into the kitchen, leaving Tommy and Zach alone.

Zach looked around the room. “Looks like you’re doing a good job seeing after things, Tommy,” he said.

“M-my daddy h-had to go t-to the war,” he said. His matter of fact expression showed no sadness, but rather a sense of pride. He had his mother’s large brown eyes and her skin, but his father’s black hair. He seemed frustrated when he could not pronounce words clearly, so he tried to force them, compounding the problem.

On a table beside his chair was a toy wagon and a building block set. The wagon was mounted on four wheels and had a pull string. Zach took the wagon and sat on the floor, “Bet you can build a barn like yours.”

Tommie squatted down in front of Zach and started to build. He laid the foundation, and left an open section for the large door, but was puzzled as to how to construct the hip roof. Zach pointed at a piece that might help and the boy quickly grabbed it and continued.

Martha came in from the kitchen and hesitated, seeing the two on the floor, “Mister Harkin, you’ve come all this way, would you have some stew with us before you go?”

The kitchen was the biggest room in the house. Just inside the backdoor was a bench with jackets and hats hanging above it. Boots covered with red dust were lined up under the bench. One large pair sat alone. A square, cast iron stove sat against the outside wall with a kettle on top. A nearly empty wood box sat next to a copper boiler full of water. The smell of the rich stew mixed with wood smoke made Zach realize how hungry he was. A table in the middle of the kitchen had three chairs around it and three place settings. Martha indicated to Zach to sit in the middle and she ladled stew into each bowl.

Martha talked about the farm.

Heavy spring rains had caused the river to flood, covering the fields between the river and the farmhouse. Rains continued, and the river did not recede for ten days, ruining her corn crop. The peanut crop in front of the house, however, had thrived, and was near harvest. Her team of horses had been confiscated by the government, and all she had left was her mule, Jake. Most slaves in her area had been impressed into service, but, her slave, Levon, was considered too small, and they let her keep him.

“Levon and Jake are all I have to run this place,” Martha said. “And of course, Tommy. Tommy is a big help.” She smiled at her son. “He keeps the wood box full, the stove fire goin’, and all sorts of things. Don’t you, Tommy?”

“I saw Levon on the way in. Looks like a hard worker,” Zach said.

“Gracious, me. I’ve been talking about me all this time. What about you, Mister Harkin?”

Zach avoided the question, and instead talked about the probable fall of Atlanta and the subsequent fall of the Confederacy. Tommie got up to put a piece of wood in the stove. The fire crackled, sending a hollow noise up the flue. The sun sank below the level of the cottonwoods and shone through the back door onto the wood-planked floor. The screen door had a typical wad of cotton attached at the center. Zach had always wondered why.

“Mister Harkin, I can see you don’t like to talk about yourself much. Could I show you around our place?”

Zach ducked through the back door as they went outside into the cool evening. They walked toward the river, their feet sinking into the rich, loamy bottomland in the rear of the farm. The field toward the river, where Martha’s corn crop had stood, was fallow and weedy. The field on the other side of the farmhouse was higher, and had a healthy crop of corn with large, succulent ears nearly ready for harvest. Zach had little actual experience farming, but he knew a farmer’s work was difficult, and carried many risks.

They walked a loop through the backfield and headed toward the barn. Martha explained the various operations of the farm, and Zach realized her knowledge was limited. She had an optimistic outlook, but seemed not to grasp that she needed a lot more help than just Levon. With the 1864 Confederate call for any able-bodied male to conscript into the army, even old men weren’t available to help with the hard work. Of course, most able-bodied slaves had been impressed by the government, so Martha could not even pay a neighbor for a borrowed slave’s labor. Her farm had almost no chance of providing for the two of them, and Zach felt that burden resting squarely on his shoulders….

Read more here.

Posted in Excerpts, Scarred

The Doug Dahlgren Show Features Michael Kenneth Smith

What a terrific way to spend my Friday morning! I thoroughly enjoyed discussing HOME AGAIN, SCARRED, and the Civil War with Doug Dahlgren of The Doug Dahlgren Show. Listen in. . .


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Posted in Guest Appearances, Home Again, Scarred, Writing Life

A Civil War Valentine’s Day: Of Hearts and Vinegar

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One of the most famous valentine image from the period. Sent February 14, 1863.

The first valentines were sent in the early 1400s and by the time the Civil War rolled around, Valentine’s Day was a well-established holiday with the sending of homemade cards, love tokens, and poetry commonplace. For those with access to stores and a little extra cash, cards made by the New England Valentine Company could be easily purchased. Made by Ester A. Howland and her all-female assembly line and featuring bits of lace, ribbon, cutouts, pop ups, and shadow-boxes, each card could be customized with one of 131 verses.

Lacking easy access to nearby shops, Civil War soldiers were more inclined to make their own cards using supplies on hand. Some even went to far as to create origami-like puzzle purses which carried small tokens of affection or a lock of hair for their loved ones. Want to try your hand at a puzzle purse? This easy video DIY video tutorial is a great place to begin!

And for those not interested in professing their undying love on this most romantic of holidays? Enter the “vinegar valentine”. Viewed as socially acceptable opportunities to bash one’s enemies, vinegar valentines were often sent without signature, enabling the sender to speak without fear of recrimination. According to Slate.com’s The Vault, “Some historians argue that comic valentines—of which vinegar valentines were one type—made up half of all U.S. valentine sales in the middle of the 19th century.” Interestingly, some of the most vicious vinegar valentines were produced during the Civil War and expressed anger toward those serving in the Union Army.

Screen Shot 2017-02-13 at 1.55.57 PMSpecial thanks to Slate.com,  Collectors Weekly, American Civil War Voice and Victoriana.

Happy Valentine’s Day to you and yours!

 

Posted in Guest Appearances, Holidays

A Civil War Super Bowl: The Fixins

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[Camp Johnson, near Winchester, Virginia—The First Maryland Regiment playing football before Evening Parade.]

The first Super Bowl was played January 15, 1967 between the Green Bay Packers and the Kansas City Chiefs. Who would have guessed, 50 Super Bowls later, more than 190 million Americans would be planning to watch Super Bowl LI this Sunday when the New England Patriots play the Atlanta Falcons in Houston. (Sidebar: While the New England Patriots have the most Super Bowl appearances, it is the Pittsburgh Steelers who hold the title for the most Super Bowl victories.)

For many, Super Bowl Sunday is considered a national holiday right up there with, July 4th, Thanksgiving and Christmas. In fact, we eat more food on Super Bowl Sunday than any other day of the year except Thanksgiving! So how much food do we eat? How about 1 billion chicken wings, 28 million pounds of potato chips, 12 million slices of pizza, and 8 million pounds of popcorn. And we wash it all down with 325 million gallons of beer. 

In light of all this, I started to wonder what Game Day might have looked like back in 1864—had there been such a match-up. No pizza. No BBQ wings. And a very different kind of “potato chip”, to be sure. 

And so, with apologies to Civil War historians everywhere, I submit the following “Civil War Super Bowl” menu for your consideration.

Hi quality old parchment

Have a go at making your own Civil War style chips:

Civil War Potato Chips 

Recipe courtesy of  The Civil War Zone

Potatoes

Butter

Salt

Wash and peel some potatoes, then pare them, ribbon-like into long lengths. Put them in cold water to remove the strong potato flavor; drain them, and throw them into a pan with a little butter, and fry them light brown. Take them out of the pan, and place them close to the fire on a sieve lined with clean writing paper to dry, before they are served up. A little salt may be sprinkled over them. 

In case you’re wondering: 

1. Cracklin: The skins and residue left from the rendering of pork fat. You might say, “passing the pigskin” looked a whole lot different back then. 

2. Goober Peas: Peanuts

3. Switchels: Drinks made from cool water, juice, vinegar, and a sweetener like loaf sugar or treacle. 

Super Bowl consumption statistics from Pursuitist

Photo courtesy of Mitchel Archives, Harpers Weekly August 31, 1861

Posted in Guest Appearances, Holidays Tagged with: , , ,